Artist
Artist: Debra Phillips
Curator
Curator: Sally Couacaud
Date Installed
Installed 1999 - 2019
Location
Speakers corner. The Domain, Art Gallery Rd, Sydney NSW 2000
Project
Project: Sydney Sculpture Walk
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Artwork Description

One red stepladder and five marble clad pedestals were arranged amongst the trees at Speaker’s Corner in the Domain. Viva Voce by Debra Phillips acknowledged the historical and contemporary importance of the area as a site of public oratory and celebrated the continuing vitality and importance of free speech and public debate.

Public Oratory was introduced to the Domain in 1878, establishing a location and a precedent for the direct exchange of ideas and opinions amongst the city’s populace. The subsequent tradition of regular debate under the Moreton Bay Fig trees, at points of history involving notable identities and crowds of thousands, marks Speaker’s Corner as both the living voice and democratic heart of the city.

Vernacular forms were employed to encourage the continuation of active debate at the site. The marble pedestals took the generic form of soapboxes and the steel A-framed stepladder was coated in epoxy red paint, each step incised with a word inviting interaction such as speak, heckle, listen, ponder, question. The sculptures were placed in close proximity to each other in order to enhance interaction between the speakers.

Viva Voce commemorated speakers such as the rationalist, Charlie King, who kept the site alive from 1960 to 1994 by addressing his audience from the podium of a red stepladder. In addition to local history, the use of marble drew upon the classical tradition of public oratory and ideals of democracy in Ancient Greece.

Inscriptions
Red step-ladder, top platform inscribed twice (to be read from both sides of the ladder) with the single word:
SPEAK
Red step-ladder, steps inscribed with single words:
question / ponder / listen / heckle

Sydney Sculpture Walk Plaque
Viva Voce / Debra Phillips / Public Oratory was introduced to the Domain in 1878, establishing a location and a precedent for the direct / exchange of ideas and opinions amongst the city’s populace. / The subsequent tradition of regular Sunday afternoon debate under the Moreton Bay Fig trees, at points of / history involving notable identities and crowds of thousands, marks Speaker’s Corner as both the living / voice and democratic heart of the city. Viva Voce pays tribute to this history and celebrates the continuing vitality and importance of free speech and / public debate. / Installed: June 1999

This artwork was deaccessioned in 2019

Originally commissioned for ten years Viva Voce formed part of the City of Sydney’s Sydney Sculpture Walk and public art collection for nearly 20 years.

Each work included in the Sydney Sculpture Walk has been a significant artistic and cultural contribution to this city, adding renewed interest and meaning to established city spaces.

A 2016 review of the Sydney Sculpture Walk has resulted in the deaccession of three works, including Viva Voce. This decision was not taken lightly.

ARTIST

Debra Phillips completed a Master of Visual Arts (Research) at Sydney College of the Arts, The University of Sydney, in 1990.

Although photography is central to her practice, Phillips’ work also ranges across other forms such as sculptural objects, moving images, artist’s multiples and printed matter (including books, prints and newspapers).

Phillips’ practice focuses on her interest in systems of knowledge and understanding and their relationship to the making, thinking and shaping of individual and world views.

 

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