Artwork Description
The John Christie Wright Fountain is characterized by a single vertical jet that contrasts with fan shaped water extending from the curved form of a small copper bowl. An overflow cascades onto the surrounding river stones and garden bed.
SUBJECT
The fountain was erected in memory of young sculptor, John Christie Wright (1889-1917). Wright was born in Scotland and moved to Australia in 1912. He was awarded the Wynne Prize for sculpture in 1915. Wright enlisted in the A.I.F. in 1917, and was killed in action in France on 3 May that year.
ARTIST
Gerald Lewers (1905-1962) was born in Hobart and developed an interest in sculpture during childhood. In 1950 he retired from his job as construction engineer in the firm Farley & Lewers to dedicate himself full-time to sculpture.
Lewer’s fountains were largely abstract, unlike his sculpture, and all feature a wonderful balance of sculptural and water forms. He was fascinated by dynamic movement and felt that copper was best suited to creating forms that complemented the flow of water.
Gerald and his wife Margot Lewers were leading artists in the development of modernism in Australian art. Their art collection and home at Emu Plains on the Nepean River, were bequeathed by family to Penrith City Council in 1980 and opened the following year as Penrith Regional Gallery & The Lewers Bequest.
COMMISSION
Early in 1960, Jean Hague-Smith offered to donate a fountain in memory of J.C. Wright to the City of Sydney and to bear the cost of its erection. Sydney sculptor Gerald Lewers, who had just won a prize in the City Fountains Competition, was commissioned to produce the work.
INSCRIPTION
An inscription on the left plaque mounted on a stone wall abutting the fountain: “In memory of John Christie Wright, sculptor, / Born Aberdeen Scotland / Killed Bullecourt, France, May 3rd 1917, / Lieutenant, 20th Battalion A.I.F. / Aged 28 years.”
An inscription on the right plaque mounted on a stone wall abutting the fountain: “These laid the world away: gave up the years to be / Of work and joy and the unhoped serene, / that men call age; and those who would have been / Their sons, they Gave their immortality. / Rupert Brooke”
An inscription on the back wall reads: “Sculptor: The late Gerald Lewers”
CONSERVATION
Major restoration works were completed in 2012.
REFERENCES
Louella McCarthy and Paul Ashton (eds.), Sydney Open Museum Historical Survey, Sydney City Council, 1994, item 21, pp 70-72, xxix